The Edvard Munch Portraits Exhibition is now on view at the National Portrait Gallery in London. Running until 15 June 2025, the exhibition presents over 40 works by the iconic Norwegian artist. Known globally for The Scream, Munch also created deeply personal portraits that captured the raw emotion of human life.

This is the first UK exhibition dedicated entirely to Munch’s portraiture. Through his expressive brushstrokes and psychological insight, Munch explored identity, emotion, and the human condition—making this show a must-see for art lovers and culture seekers alike.

A New Look at Munch’s Emotional Vision

Unlike traditional portraiture, Munch’s style often focused on the feelings behind the face. The exhibition includes early depictions of family members from the 1880s and 1890s, as well as striking images of artists, writers, and thinkers who influenced his work.

For example, in Evening (1888), Munch paints his sister Laura in soft tones that reveal both affection and melancholy. Another standout is the recently rediscovered portrait of lawyer Thor Lütken. Beneath the figure lies a hidden landscape, showing Munch’s unique way of blending inner life and outer form.

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Hans Jaeger by Edvard Munch, 1889 © Nasjonalmuseet, Oslo

What to Expect at the Edvard Munch Portraits Exhibition

The Edvard Munch Portraits Exhibition gives visitors the chance to see a different side of the artist. Instead of dramatic scenes, the focus is on quiet intensity and personal stories. Through each face, Munch speaks directly to the viewer, asking us to reflect on identity, emotion, and what it means to be human.

  • Venue: National Portrait Gallery, London
  • Dates: 13 March – 15 June 2025
  • Hours: 10:30–18:00 (Sun–Thu), 10:30–21:00 (Fri–Sat)
  • Tickets: £21, with concessions available

This is the first major UK exhibition dedicated solely to Munch’s portraits and a rare opportunity to see his human-focused works up close. If you’re passionate about art that reflects emotion and psychology, this show is not to be missed.

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